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Archive for the ‘Business’ Category

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In today’s music environment many indie and small bands think they have a long term business by selling their CDs to fans online, in stores and at shows. This has been the traditional model of music marketing and sales strategies created by major labels over the past century and it did work pretty well. This system created household artists like Elvis and Michael Jackson. It is even proven for the new school of large pop acts such as Britney Spears and Nickelback.

With the creation of file sharing and the unlimited possibilities of discovering new music, it is very difficult to make a large amount of money by selling a $10 disc. The ideal situation would have musicians creating a catalog filled with backend products, upsells and cross sells, getting their fans prepped to take full advantage of their credit card limits.

For most upstart bands this is not the case. They do not have a back catalog and have a hard time funding the recording of a few solid tracks to burn on a disc. They are also in a hard spot to manufacture thousands of CD’s and hundreds of T-shirts, hats and other merchandise items.

With this objection from most musicians, there is another option to creating new streams of income and joining the new music economy without breaking the bank and the hassle of putting in countless hours to create new products. The answer lies in affiliate marketing.

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Carrie Brownstein, former member of Sleater-Kinney and current blogger of NPR’s “Monitor Mix” recently chatted with several indie label owners and managers about the role of the record label.  It’s a very interesting read and I would highly recommend you click on the link below and check it out for yourself.  In the meantime, here are what I thought were some of the more interesting highlights from the discussion:

1. Two of the participating labels said that when file-sharing first started, they weren’t concerned about it and just sort of sat back and waited until it was too late.

2. As file-sharing became more “mainstream,” it became increasingly more difficult to determine if it actually helped indie artists or harmed them.

3. Only “an active minority” actually care about what label a band is on.

4. The role of the label, according to Portia Sabin of “Kill Rock Stars,” is, “Same as it ever was: a filter, a bank, a promo machine. A source of contacts in the industry.”

5. There seems to be little understanding among music fans as to what exactly labels do.

6. While CD sales are hurting, vinyl is slowly on the rise.

7. Several of the guests involved in the discussion said that no matter which song they give away for free, that same song ends up selling the most singles.

8. They also agreed that the best thing to help album sales is for Pitchfork to rate it 9.1–Rolling Stone and New York Times are less relevant.

9. Touring is still one of  the best ways to promote your band.

10. http://www.myspace.com/burgerrecords

As you can see, the discussion veered severely away from “the role of the record label” but there were still a lot of interesting points being made–especially coming from a label owners point of view. CLICK HERE to read the full discussion.

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When you, as a musician, approach a producer, designer, or venue with big plans to create or perform a monster-project or concert in one day’s time, think twice or be prepared to pay.  Time is money and this post will help you to save money and spend your time wisely.  I will explain to you the benefits of preparing ahead of time.

Website Design

Every band/artist needs a web presence.  While there are many free MySpace-like solutions, I’m speaking directly to the professional artist whose needs are greater than the average musician. Website design can take anywhere from one day to six months depending upon the complexity of the project. Price and turnaround time vary accordingly. So what is the best way to prepare for something like this?

* Figure out a few budget options with what you can spend and what goals you want accomplished for the money.  Consider money for online marketing and SEO.
* Create a site map of your website.  This will act as a blueprint for your site… think of it as a blueprint for your house.  You may not have built a house before, but you may know that you’ll need 4 rooms, two bathrooms, a pool and a front door.
* Create a folder and title it WEBSITE, then add some subfolders.  These will represent page navigation, so name them according to their page title.  Examples may look like:  Home, Blog, Music, Videos, Shows, Bio, Store.
* Place one text file into each folder and use the text file to hold the information that you want featured on each respective page. Fill each folder with videos, pictures and content that pertain to the page title. If a folder is stuffed with items, consider subdividing the content or reorganizing your navigational structure.
* Create a list of goals: sell my album, book a show, create a fan-driven community and download content.  The more details, the better!

* Find a few local quality music-industry related design firms that can meet your budget and present them with your vision. Choose the one that fits your needs.

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Overview of Music Buying Habits

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I came across the following image by Mint.com at Musformation.com and thought it was worth sharing.

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LOS ANGELES–(BUSINESS WIRE)–Audiolife, the current leader in Direct-to-Fan eCommerce solutions for independent artists and labels, has entered into an exclusive licensing agreement with Los Angeles-based Hopeless Records. The indie punk rock label, best known for bands such as All Time Low, Avenged Sevenfold, and Thrice, will now be able to streamline all online, Direct-to-Fan merchandise development and sales using Audiolife’s technology platform.

Audiolife will manage all of the label’s eCommerce technology needs, while providing analytics and daily sales reports. This vital information, currently lacking with many of the popular eCommerce solutions, will inform the label as to which exclusive artist offerings and merchandise items are appealing to fans, who is buying, and what consumer habits are driving sales decisions.

“Working with Audiolife was an easy choice. Our fans are interested in digital content and sharing that content with their friends,” remarked Ian Harrison, Director of Marketing, Hopeless Records. “The Audiolife technology makes this possible very quickly. Within a day, we can post an artist’s branded store on their website, blog, and all social networks, and can deliver all of their merchandise, digital albums, and ringtones directly to the fans. We are looking forward to the many amazing opportunities that Audiolife has created with their eCommerce solutions, and are excited about the future.”

Added Brandon Hance, Founder & CEO of Audiolife: “Hopeless Records is the first among many indie labels who will integrate our technology into their artist marketing and promotions initiatives. We are confident that their leadership in the Direct-to-Fan space will give others the proof needed to launch their own eCommerce solutions for the thousands upon thousands of indie artists looking for alternative ways to monetize their careers.”

For more information about the Audiolife/Hopeless Records agreement, or to interview key company executives, please contact: Rebekah Iliff, Rebekah@Audiolife.com or call 310-770-8338.

About Audiolife:

Audiolife (www.Audiolife.com) is the leading Direct-to-Fan eCommerce platform that empowers independent artists and record labels to cost-effectively make money by selling CDs, merchandise, digital downloads and ringtones with no upfront inventory costs. The first-of-its-kind eCommerce platform facilitates selling products “on-demand” directly to fans via portable storefronts on websites, blogs, and social networks. No other platform, specifically created for artists, provides a worldwide, one-stop-shop solution for custom promotion, manufacturing and distribution.

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pearl-jam-liveAfter completing their contract with Sony and J Records, Pearl Jam has joined the growing list of empowered unsigned artists just looking to bypass their labels and go directly to their fans. Like their predecessors, it has come down to the ability to control their future, increase their profits and open up a wide variety of inventive bundling options for it’s September 20th release. By using their name, having great songs and hiring the same business professionals that have been working with them in the past they have completely cut out lengthy contracts and undoubtedly will have the same level of results. Why are more and more artists doing this? Major labels have lost their way. Before the Internet boom, when an artist got signed that meant that the label would pour EVERYTHING they had into you. I can’t blame labels at all for being reluctant in this declining music industry; however, it’s the lack of ideas and unwillingness to jump all the way in that is killing them.

There’s one valuable point that has been forgotten: people still LOVE music.

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A Plan to Save the Music Industry

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Mark Mulligan of Forrester Research has released a report titled, “Music Release Windows: The Product Innovation That The Music Business Can’t Do Without.”  Essentially, it’s a plan to save the music industry. The executive summary of the report is as follows:

“In the late 20th century, music business artist contracts, development cycles, release schedules, and promotional activity were all shaped around getting a little shiny disc of a dozen or so tracks into the stores. Now in the 21st century, the album straightjacket can be thrown off and releases can become part of a continual artist-fan relationship. Sure, the die-hard artists of the album era will bemoan the death of a creative construct. But that ignores the immensity of the new creative opportunities that will accompany the radical product innovation that the music industry so desperately needs. And the benefits go far beyond the artists and labels; they open up core new revenue opportunities for mobile carriers, ISPs, device manufacturers, and even brands. Perceptions of value and scarcity must be rebuilt along new lines, creating a blueprint for product strategists across all content genres.”

The report itself is actually pretty pricey to purchase and the read, but the wonderful Hypebot posted a summary today on their blog. CLICK HERE to read the full post.

Why Do We Steal Music?

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There have been several articles, blogs, news reports, etc about piracy, but none (at least none that I’ve read) pirate0describe it in the way Moses Avalon does in his own blog post, “Why We Steal Music.”  I won’t go too much into it here because I highly recommend that you read his post yourself, but I must say that he makes some valid points.  I’ve always found it interesting how some of the people who download music the most are huge fans of music and will likely claim that “music is my life.”  Unfortunately, for artists, these are the people that they depend on to support them. But it seems fairly apparent that many don’t truly understand or realize the value of music, the dollars and cents kind. In other words, how much time and money (and time=money) it takes to create an album or merch or put on a show. Isn’t it a bit odd that the one thing we base our purchasing decisions on when it comes to merch or concert tickets is the music itself, and yet, we feel the music should be free?

CLICK HERE to read the full article, but please take a moment to share your thoughts in the comments below on piracy or what you think is the reason for why we steal music.

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I stumbled across this article the other day and thought you might find it interesting.  Give it a read, I’d like to hear your take.

Thank you to Andrew Dubber for bringing this to light.

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Placing Ads in Your CD Booklet

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mariah-carey21We’ve constantly been touching upon the various unique ways artists are making money right now. And usually, when we talk about them, it’s because it’s really cool or helps them build stronger relationships with their fans.  Now you may or may not have heard about Maria Carey’s recent endeavor into making money off her upcoming album–Memoirs of an Imperfect Angel.  Basically, the CD will be accompanied by a booklet with the usual pictures, lyrics, liner notes, etc., but this time you get several extra pages of ads by Elizabeth Arden, Bahamas Board of Tourism, Angel Champagne, etc.

According to a recent hypebot article, the idea is simple:

“…’We sell millions of records, so you should advertise with us,”‘ Antonio ‘L.A.’ Reid, chairman, Island Def Jam Music Group told Brandweek. ‘My artists have substantial circulation—when you sell 2 million, 5 million, 8 million, that’s a lot of eyeballs. Most magazines aren’t as successful as those records.’ Carey was apparently receptive to to concept because the ads for her image. ‘I wouldn’t want to do Mariah Carey and Comet abrasive cleaner,’ Reid said, laughing. ‘I wanted things that really reflected her taste.’”

In terms of generating additional revenue, the idea is a good one. But what interests me is how her fans will respond to it.  Not only that, but what’s next: PSAs in between tracks? Now maybe Mariah Carey’s fans won’t care, but the labels need to be super careful when deciding which artists they’re going to start applying the same idea to.

What are your thoughts on this? Would you stop listening to the artist or stop purchasing their CDs if their booklet came with advertisements? You can also vote here at hypebot on the issue.