Interview with Sean Holland of Jango Airplay
Recently I had the pleasu
re of interviewing Sean Holland, Director of Artist & Label Relations at Jango Airplay. If you haven’t heard of Jango Airplay, it’s a great tool for emerging artists to get discovered by millions of online radio listeners. Continue reading the interview below to learn more about Jango Airplay …
How did Jango Airplay get started?
Jango started in 2007 as online radio, very similar to Pandora. In early 2009 we launched Jango ‘Airplay’, our promotional platform for emerging artists to get guaranteed airplay right alongside all the big name artists to our 7 million monthly listeners. There was a big gap in the market for emerging artists to get a real voice in online radio. We have the listeners coming to hear everyone from Jay Z to Bob Dylan, Arctic Monkeys to Willie Nelson and figured it would be great for artists and listeners alike to get these new bands some exposure.
Do artists that sign up to Jango get to decide who they want to be played next to?
Absolutely. In your artist dashboard you can pick up to 30 ‘Similars’ which are the artists you want to be played alongside. You can change these anytime you like as well for more targeting. We also deliver to each artist a report, the ‘Fan Overlap,’ that gives them a list of the artists most liked by their new fans on Jango. This can really help in re-targeting.








In today’s music environment many indie and small bands think they have a long term business by selling their CDs to fans online, in stores and at shows. This has been the traditional model of
An all too common problem these days is identity theft, and the music industry is no stranger to it, because many bands and artists are trying too hard to copy other people who have already become successful. Of course it is wise to look up to other artists, be inspired by them, and study what they are doing right, but there is a thin line between learning from others and stealing their identity.
Carrie Brownstein, former member of Sleater-Kinney and current blogger of NPR’s “Monitor Mix” recently chatted with several indie label owners and managers about the role of the record label. It’s a very interesting read and I would highly recommend you click on the link below and check it out for yourself. In the meantime, here are what I thought were some of the more interesting highlights from the discussion:
When you, as a musician, approach a producer, designer, or venue with big plans to create or perform a monster-project or concert in one day’s time, think twice or be prepared to pay. Time is money and this post will help you to save money and spend your time wisely. I will explain to you the benefits of preparing ahead of time.
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